胜利叙事中的艺术构建——中国国家博物馆藏叶浅予《北平解放》的创作分析  

Artistic Construction for Triumphal Narratives:Analysis of The Liberation of Peking Created by Ye Qianyu and Collected by the National Museum of China

作　　者：韩少玄 Han Shaoxuan

机构地区：[1]中国国家博物馆

出　　处：《美术》2021年第10期86-92,共7页Art Magazine

摘　　要：叶浅予1959年创作完成的《北平解放》,描绘了1949年北平和平解放入城式的盛大场景,是新中国成立初期革命现实主义和革命浪漫主义相结合的典范之作。本文着重论述了叶浅予以什么样的艺术手法完成《北平解放》的问题,最终指出,与其他同类题材的绘画作品相比,叶浅予在充分尊重历史事实的基础上,发挥了"想象"在艺术创作中的重要作用,在画面构图、场景设置等方面独出心裁,既避免了同质化创作倾向,也赋予了作品极高的艺术品质。The Liberation of Peking,created by Ye Qianyu in 1959,depicts the grand ceremony for peaceful liberation of Peking in 1949.It is eulogized as a model in the early days of the founding of New China,which combines revolutionary realism and revolutionary romanticism.This paper focuses on artistic techniques that Ye uses to complete the artistic work,and finally concludes that compared with other paintings with similar themes,a full play to Ye’s"imagination"has been made on the condition that historical facts are fully respected.Ye’s unique techniques in picture composition and scene setting do not only make the works out of the ordinary,but endow the works with super high artistic quality.

关 键 词：北平解放入城式 想象 革命现实主义和革命浪漫主义 

分 类 号：J209[艺术—美术]