蜕变中的拓展——中国漆画十年发展研究(2010—2019)  

Expanding in the Course of Transformation:Study on Development of Chinese Lacquer Painting in the Past Ten Year(2010-2019)

作　　者：牛冬冬[1] Niu Dongdong

机构地区：[1]陕西师范大学、中国西部现当代美术研究中心

出　　处：《美术》2021年第10期93-99,共7页Art Magazine

摘　　要：近10年的中国漆画正在逐渐进入一个持续发展和深层精神探索的重要转折时期。一方面,它尝试从传统漆艺的既定形态桎梏中解脱出来并突破边界,进而向当代艺术领域迈进;另一方面,它试图以材料语言为基础,重构漆画的学科体系,从而构成了用材料、工具、技法等多种语言符号组合而成的漆画创作系统,在全球化语境中愈发显示出其旺盛的生命力和勃勃生机。从对单纯材料的认知提升到对漆画"绘画性"语言的探求,从对视觉形态的探求到对文化精神的建构,近10年的中国漆画无论是在本体语言还是精神内涵层面上均作出了突破性的探索。The Chinese lacquer painting has gradually entered an important transforming period for continuous development and deep spiritual exploration in the past 10 years.On one hand,it tries to liberate from established constraints of traditional lacquer art,break through the boundaries,and march into the contemporary art field;on the other hand,it attempts to reconstruct the disciplinary system of lacquer painting based on materials language,which contributes to formation of the lacquer painting creation system integrating materials,tools,techniques and other language symbols.It has demonstrated its vigorous vitality in the context of globalization.In the past 10 years,the Chinese lacquer paintings have witnessed a breakthrough in both ontology language and ontology language,no matter from cognitive enhancement of simple materials to exploration of the lacquer"painting"language or from exploration of visual form to construction of cultural spirit.

关 键 词：10年 当代漆画 蜕变 拓展 

分 类 号：J209[艺术—美术]