图像学视域下民国时期中国农民银行纸币图案探析  

Analysis of Banknote Patterns in the Period of the Republic of China from the Perspective of Iconography

作　　者：易振鑫 廖慧雯 李毓菲 沈伟棠 YI Zhen-xin;LIAO Hui-wen;LI Yu-fei;SHEN Wei-tang(School of Art and Landscape Architecture,Fujian Agriculture and Forestry University,Fuzhou,Fujian,350002)

机构地区：[1]福建农林大学艺术园林学院,福建福州350002

出　　处：《湖南包装》2021年第5期60-63,共4页

摘　　要：中国农民银行是民国时期国民政府的四大银行之一,由于其独特的历史和文化背景,从而成为设计史的重要组成部分之一。民国时期中国农民银行的纸币区别于孙中山头像占主导的中央银行和交通工具占主导且重复率高的交通银行。中国农民银行以人为主体、图案精美、内涵丰富,无论在设计史还是文化史方面都有着极高的研究价值。文章使用图像学方法,将中国农民银行纸币设计重置于当时的历史语境中,从形式出发,进而逐步剖析其图案的审美价值、产生原因以及精神内涵。Farmers Bank of China was one of the four major banks of the National Government during the Republic of China.Due to its unique historical and cultural background,it became an important part of the history of design.During the period of the Republic of China,the banknotes of the Farmers Bank of China were different from the central bank,which was dominated by Sun Yat-sen’s picture,and the Bank of Communications,which had a high repetition rate.Farmers Bank of China is human-centered,with exquisite patterns and rich connotations.It has extremely high research value in both design history and cultural history.The article uses the method of iconography to reset the paper money design of theFarmers Bank of China in the historical context of the time,starting from the form,and then gradually analyzing the aesthetic value,reason and spiritual connotation of its pattern.

关 键 词：纸币图案 民国时期 图像学 

分 类 号：K258[历史地理—历史学] F822.9[历史地理—中国史] F832.9[经济管理—财政学]