西方音乐作品主题目录的历史、发展及对中国音乐界的启示  

The History and Development of Thematic Catalogue of Western Music Works and Its Implication to Chinese Music Circle

作　　者：俞一帆[1] Yu Yifan(Shanghai Conservatory of Music Library)

机构地区：[1]上海音乐学院图书馆

出　　处：《图书馆杂志》2021年第9期39-47,共9页Library Journal

基　　金：2017国家文化创新工程项目“中国音乐基础数据库与资源分享平台建设”的成果之一;国家“双一流”高校建设与上海高水平地方高校创新团队建设扶持项目配套资助。

摘　　要：音乐作品主题目录是西方音乐理论研究的主要工具书之一,有着悠久的历史传统和丰厚的学术价值,是音乐学与目录学研究的共同成果。文章从西方音乐作品主题目录的编纂传统展开,论述了当代国际编目规则对音乐资源描述规范化的影响,指出国内音乐主题目录编纂领域的空白及所面临的挑战,进一步说明学术化、国际化、标准化、规范化的音乐主题目录对中国专业音乐发展的充分必要性,及对保存、管理、传承与共享中国音乐资源的重要意义。Thematic catalogue of music works,as a kind of reference widely used in Western music studies,is the joint achievement of musicology and bibliography studies,which boasts a long historical tradition and rich academic value.With a focus on the tradition of compiling thematic catalogue of music woks in Western countries,this paper mainly discusses the influence of contemporary international cataloging principles on the standardization of music resource description.After pointing out the absence of such efforts in China,it further illustrates the necessity of academic,international,standard and standardized thematic catalogues for the development of professional music in China,and its great significance to the preservation,management,inheritance and sharing of China’s professional music resources.

关 键 词：音乐主题目录 国际编目规则 音乐目录学 音乐资源描述 

分 类 号：J605[艺术—音乐]