西班牙黄金世纪早期戏剧的文化转型——漫议《塞莱斯蒂娜》  

On La Celestina:The Cultural Transformation of Spanish Drama in the Golden Century

作　　者：刘爽[1] LIU Shuang(College of Liberal Arts and Journalism and Communication,Ocean University of China,Qingdao,Shandong Province,266100,China)

机构地区：[1]中国海洋大学文学与新闻传播学院,山东青岛266100

出　　处：《北京联合大学学报（人文社会科学版）》2021年第4期33-38,共6页Journal of Beijing Union University(Humanities and Social Sciences)

基　　金：国家社科基金项目“西班牙黄金世纪戏剧研究”(项目编号:19BWW063)。

摘　　要：《塞莱斯蒂娜》是西班牙黄金世纪文学的开山之作,也是欧洲文学史上第一部真正意义的悲喜剧。它以男女主人公爱的激情与冒险行为相结合的罗曼司叙事,深刻地体现了古希腊文化和基督教文化以及地中海地域文化相融合的特征,表现了文艺复兴时期人文主义者对精神理性和肉体欲望二元对立关系的深入思考,并通过主人公们的戏剧“话术”多方面地展示了15世纪前后西班牙的时代性和地方性风貌,奠定了西班牙戏剧黄金世纪的艺术范式和文化谱系。La Celestina is not only one of the greatest works of Spanish literature in the Golden Century but also the first tragicomedy of real significance in the history of European literature.It is a romantic narrative that combines the passion of love and the adventures of the hero and heroine.It deeply reflects the characteristics of the integration of ancient Greek culture,Christian culture and Mediterranean regional culture,and shows the deep thinking of the dual opposition between spiritual reason and physical desire by humanists in the Renaissance period.It also embodies the time and local features of Spain around the 15th century in many ways,and establishes the artistic paradigm and cultural pedigree of the Golden Century of Spanish drama.

关 键 词：《塞莱斯蒂娜》 基督教 西班牙戏剧 黄金世纪 

分 类 号：I551.35[文学—其他各国文学]