关庙楹联创作的精神内涵及修辞形式  

The Spiritual Connotation and Rhetoric Form of Couplets in Guandi Temple

作　　者：陈雪[1] Chen Xue(Department of English, Yuncheng University, Yuncheng 044000, China)

机构地区：[1]运城学院外语系,山西运城044000

出　　处：《运城学院学报》2021年第5期27-31,共5页Journal of Yuncheng University

摘　　要：关庙楹联创作始于明代,兴于清代,绵延于近代,其数量可观、内容丰富,是研究关公文化必不可少的资料。关庙楹联内容,强调了关公信仰的高度、深度与广度,彰显了关公忠义仁勇的优秀品格,映射了民众尊刘贬曹的政治倾向及因地制宜的关公民间信仰特色;其善集引诗文、因人串事、嵌字排比的修辞艺术,都从侧面不同程度揭示了关公文化的信仰主题。关庙楹联是传递关公精神的精美名片,探究分析关庙楹联,对研究关公信仰文化具有一定的意义。The couplets of Guandi Temple originated from the Ming Dynasty,flourished in the Qing Dynasty,and continued in modern times.They are abundant in quantity and content,and are indispensable materials for the study of Guan Gong's culture.The couplets of Guandi Temple emphasize the height,depth and breadth of Guan Gong's belief,show his excellent character of loyalty,righteousness,benevolence and courage,and reflect the political tendency of the people to respect Liu Bei and demote Cao cao and the characteristics of Guan Gong's folk belief according to local conditions.The rhetorical arts of those couplets reveal the belief theme of Guan Gong's culture to varying degrees.The couplets of Guandi Temple are an exquisite part to convey the spirit of Guan Gong and exploring and analyzing those couplets has certain significance to the study of Guan Gong's belief culture.

关 键 词：关庙 楹联 关公信仰 

分 类 号：G127[文化科学]