闺怨与臣怨--唐寅《班姬团扇图》《秋风纨扇图》研究  

Research on Tang Yin’s "Lady Ban Holding a Round Fan" and "Autumn Breeze and Fine Silk Fan"

作　　者：李程琛 li Chengchen

机构地区：[1]华东师范大学美术学院,上海200241

出　　处：《南京艺术学院学报（美术与设计）》2021年第5期35-41,I0010,共8页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：本文在前人研究的基础上,尝试引入古代诗歌等作品,对唐寅《班姬团扇图》《秋风纨扇图》两幅绘画中仕女执扇、蜀葵、修竹等关键元素进行重新解读。历代文人创作了大量以“闺怨”为主题的诗歌,其表面是设身处地为诗中女子结撰抒写,实际却是以诗中女子自喻仕途坎坷逐臣之伤。唐寅不仅是画家,也是文人。笔者结合唐寅的个人经历与画中配景的暗示,将这两幅绘画引向画家自喻,讨论男性画家创作此类闺怨题材绘画的用意。Based on previous studies,this article attempts to introduce ancient poetry and other works to reinterpret the key elements of Tang Yin’s“Ban Ji Tuan Fan Picture”and“Autumn Wind Fan Fan Picture”,such as ladies holding fans,hollyhocks,trees and rocks.The male poets of the past dynasties have created a large number of poems with the theme of“Boudoir repinings”.Ostensibly,they put themselves in the poem and write for the women in the poem,but actually,they used the poems to describe their frustrations of the frustrated career.After combining Tang Yin’s personal experience with the hints of the scenes in the paintings,the author also introduces these two paintings to the painter’s self-comparison,and discusses the intention of male painters in creating such paintings on the subject of complaints.

关 键 词：闺怨 自喻 臣怨 

分 类 号：J209[艺术—美术]