王鸣盛“学宋”与乾嘉诗坛趋势关系考论  

On Wang Mingsheng’s Poetics of Learning Song Poetry and the Trend of Qian-Jia Poetics

作　　者：龙野 Long Ye(School of Humanities,Nanchang University,Nanchang 330031,China)

机构地区：[1]南昌大学人文学院,南昌330031

出　　处：《天津大学学报（社会科学版）》2021年第6期551-557,共7页Journal of Tianjin University：Social Sciences

基　　金：国家社会科学基金重点项目(17AZD026)阶段性成果.

摘　　要：王鸣盛是乾嘉时期的知名诗人,他早年论诗不分唐宋,追随沈德潜后,偏于学唐,注重学问,提倡雅正。受乾嘉诗坛风气及个人交游的影响,王鸣盛入京为官后提倡宋调、晚年复返唐音,这种变化与诗坛现实关系颇大。提倡宋调的经历客观上反映出诗坛对宋诗价值的认识日趋高涨,也体现出王鸣盛个人诗学拓展的诉求;复返唐调则是出于维护雅正传统,纠正诗坛片面学宋的弊病,均具有现实意义,体现出格调派诗学在清代中后期的演进轨迹。As a prominent poet in the period of Qianlong and Jiaqing in Qing Dynasty,Wang Mingsheng did not distinguish between Tang and Song poetry in his early poems.After following Shen Deqian,he developed a preference for Tang poetry,paying attention to knowledge and advocating elegance and integrity.As well as his personal friends,Wang Mingsheng was greatly influenced by the atmosphere of the poetry circle of Qian-Jia.On one hand,his advocating Song style after being selected an official in the capital objectively reflects an increasing recognition of the value of Song poetry,and also reveals Wang Mingsheng’s personal appeal for the development of his poetics.On the other hand,returning to Tang style in his later life is to maintain the elegant tradition,especially to correct the shortcomings of one-sided learning from Song poetry,which both have practical significance and suggest the evolution track of the literary style theory in the middle and late Qing Dynasty.

关 键 词：王鸣盛 宋诗 格调派 乾嘉诗坛 

分 类 号：I206.2[文学—中国文学]