元代婚姻爱情杂剧批评的文化语境研究  

A Brief Analysis of the Context of Yuan Drama Criticism of Marriage and Love Theme

作　　者：傅梦玲 郝青云[1] FU Mengling;HAO Qingyun(School of Literature and Journalism,Inner Mongolia University For Nationalities,Tongliao 028000,Inner mongolia Autonomous Region,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古自治区通辽028000

出　　处：《铜仁学院学报》2021年第5期56-62,共7页Journal of Tongren University

基　　金：国家社科基金项目“元代文学历史文化语境重构研究”(17XZW007)。

摘　　要：婚姻爱情题材是元杂剧的一个较大类别,也是历来戏曲批评关注的重要内容,有丰富的研究成果,并且在不同时期出现了特有的文化语境特点。20世纪该领域研究主要集中在“时代黑暗”“阶级压迫”“士人地位低下”“民族歧视”“扼杀人性、封建伦理道德的虚伪和腐朽”等方面。21世纪以来,批评者开始引用西方文艺思想来进行批评解读,文化语境描述也出现了新的特点,如“女性主体意识的觉醒”“个性解放”“人文关怀”“自由平等”“民主精神”等。文化语境的变迁,是元杂剧研究创新发展的动力之一。The theme of marriage and love is a large category of Yuan drama,and also an important content of traditional opera criticism.It has many research results and has unique cultural context characteristics in different periods.In the 20th century,the research in this field mainly focused on"the darkness of the times","the class oppression","the low status of scholars","the ethnic discrimination","the stifling humanity,the hypocrisy and decay of feudal ethics"and so on.Since the 21st century,the critics have begun to cite western literary and artistic thoughts to criticize and interpret,and new characteristics have emerged in the cultural context description,such as"awakening of female subject consciousness","individual liberation","humanistic care","freedom and equality","democratic spirit",etc.

关 键 词：婚姻爱情 题材 元杂剧 批评 文化语境 

分 类 号：I206.2[文学—中国文学]