李碧华小说中的边缘人形象探析——以《霸王别姬》《青蛇》《胭脂扣》为中心  

An Analysis of the Image of Marginal People in Li Bihua's Novels:A Case Study of Farewell My Concubine,Green Snake and Rouge

作　　者：李佳瑜 黄爱华[2] 

机构地区：[1]杭州师范大学经亨颐学院 [2]杭州师范大学人文学院

出　　处：《语言与文化论坛》2021年第1期159-168,共10页Forums of Language and Culture

摘　　要：李碧华是20世纪90年代香港著名的言情小说家,成功塑造了众多性格鲜明的人物形象,而边缘人是她创作的重要人物类型。李碧华在《霸王别姬》《青蛇》《胭脂扣》三部小说中塑造的边缘人形象,主要是性别错位的第三性人群、社会外围的弱势群体、超越世俗的人间异类三种类型。这些边缘人大都地位低下、身世坎坷,他们不断渴求身份认同,不断地追寻所需,但最终逃不过悲剧的命运。李碧华对于边缘人形象的书写和思考,与其独特的童年经验和人生经历息息相关。透过边缘人形象,我们能体悟到作者文字之中所包含的对两性关系的认知、对既定社会现实的无奈和对人性自身的反思,也能深切感知到作为新时代作家的李碧华对女性独立自主的热切呼唤、对人类回归本真的诚挚期盼,以及对社会脱离传统桎梏的希冀。Li Bihua is a famous romance novelist in Hong Kong in the 1990s.She has successfully created many characters with distinct personalities,and marginal people are the important characters in her creation.In Farewell My Concubine,Green Snake and Rouge,the marginalized people created by Li Bihua mainly fall into three types:the third sex people with gender dislocation,the vulnerable groups at the periphery of society and the human beings who transcend the secular world.Most of these marginalized people have low status and bumpy backgrounds.They constantly yearn for identity and search for what they need,but finally,they cannot escape the fate of tragedy.Li Bihua's writing and thinking about the image of marginalized people are closely related to her unique childhood experience and life experience.Through the image of marginal people,we can perceive the author's cognition of gender relations,her helplessness against the established social reality and her reflection on human nature,and we can also deeply perceive Li Bihua's earnest call for women's independence and autonomy as a writer of the new era,her sincere hope for the return of human beings to their true nature,and her wish for a society free from the shackles of tradition.

关 键 词：边缘人形象 《霸王别姬》 《青蛇》 《胭脂扣》 

分 类 号：I20[文学—中国文学]