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作 者:倪金艳 Ni Jinyan
出 处:《中原文化研究》2021年第6期99-106,共8页The Central Plains Culture Research
基 金:河北师范大学2020年度博士基金项目“孟姜女说唱文学研究”(S2020B001)阶段性成果。
摘 要:孟姜女传说的风物中,城、水、石、骨、庙意象最为突出,成为解读传说蕴含的生命意识、价值观念、社会内涵等多维意义的重要切入点。孟姜女传说之所以会有庞大的风物群,除了已有学者总结的观点之外,还有一些不可忽视的因素:孟姜女故事的传播载体多样,为传说的风物群注入新的内容,官方的推动与民间想象的合力,以及不便的交通延伸了寻夫的“物理空间”。孟姜女传说风物是孟姜女故事的产物,风物见证了孟姜女的历史存在,也静静地“讲述”着孟姜女故事,实现由视觉向听觉的转换。孟姜女传说风物还参与地域文化的建构,形成了地方文化资源;依托于具体可感的风物,增加了传说的真实性;固态风物承载的集体记忆,激发了人们的口述欲望,能够参与地方文化的建构,为文旅资源增加新的人文内涵。Among the scenery of the legend of Meng Jiangnv,city,water,stone,bone,and temple are the most prominent images,forming an important starting point for interpreting the life consciousness,value concept,social connotation and other multi-dimensional meanings contained in the legend.In addition to the viewpoints summarized by scholars,there are some factors that cannot be ignored to uncover the scenery:the various carriers of the legend refresh the group of scenery,while the combination of official promotion and folk imagination,and inconvenient transportation extend the“physical space”of the story of seeking husband.The scenery of Meng Jiangnv is the product of its story,which has not only witnessed its historical existence but also completed its narration,realizing a transformation from sight to hearing.As local cultural resources,the scenery of the legend integrates into the construction of regional culture.The specific and sensible scenery increases the authenticity of the legend,and the collective memory carried by the solid scenery stimulates people’s desire of oral storytelling,enriching new humanistic connotations to cultural tourism resources.
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