中国现代漆画艺术的民族性与多元性刍议  

Opinion on the Nationality and Diversityof Modern Chinese Lacquer Painting

作　　者：刘飞[1] 任晓东[2] Liu Fei;Ren Xiaodong

机构地区：[1]陕西理工大学艺术学院,陕西汉中723000 [2]陕西师范大学美术学院,陕西西安710000

出　　处：《中国生漆》2021年第3期10-12,40,共4页Journal of Chinese Lacquer

基　　金：陕西省教育厅专项科研计划项目“文化自信与艺术创新:中华传统漆艺与现代家居设计研究”,项目编号:20JK0085;国家社科基金艺术学重点项目“中华漆艺发展史”,项目编号:17AG005。

摘　　要：漆艺是我国民族艺术的代表之一,中国有着悠久的漆艺历史,但中国现代漆画艺术却只有短短六十多年,随着我国经济与文化的繁荣发展,各种艺术门类均处在全球化的语境之下,中国现代漆画的未来发展亦将趋向多元化,以适应时代的需求。本文从时间延续、使用空间、物质材料这三个维度来分析论述漆画艺术的民族性与多元性特征,力图对我国漆画艺术的未来发展起到一定的启示作用。Lacquer art is one of the representative of the national art in our country,and China has a long history of lacquer art. But the Chinese modern lacquer painting art has only a short span of about 60 years,and with our country economic and cultural prosperity and development of all the arts in the globalization context,the future development of the Chinese modern lacquer painting will also tend to diversify,to meet the demand of new times. This paper analyzes and discusses the characteristics of nationality and diversity of lacquer painting from the three dimensions of time continuation,use space and material,and tries to give some enlightenment to the future development of Lacquer painting in China.

关 键 词：漆画 漆艺 民族性 多元性 表现形式 

分 类 号：J213.9[艺术—美术]