朱英诞诗歌“江南书写”的意象特征  

Imagery Characteristics of Jiangnan in Zhu Yingdan’s Poems

作　　者：李遇春[1] 林晓茵 Li Yuchun;Lin Xiaoyin(Central China Normal University)

机构地区：[1]华中师范大学文学院

出　　处：《写作》2021年第5期55-60,共6页Writing

摘　　要：朱英诞有着深厚的江南情结,他将江南视为精神故乡,并在诗歌中完成对江南的诗意建构。朱诗的江南书写主要运用春、海、船三种意象:春意象取自古典,以美好的形象显示出诗人对江南的憧憬,内蕴上又呼应着现代人的怀乡情思;海意象将还乡之行具象化为航海之程,其辽远的性质暗示了返乡的无疾而终,江南的虚无本质由此得以揭示;船意象是江南游子的象征,“孤舟漂泊”表达了江南梦破灭后的失乡之寂。这三种意象构成一个有机整体,抒发了诗人浓郁的文化乡愁。Steeped in a deep Jiangnan complex,Zhu Yingdan regarded Jiangnan as his spiritual homeland,and completed its poetic construction in his poems,in which he mainly portraited Jiangnan with three kinds of images:spring,ocean and boat.For the spring image,originated from Chinese classics,Zhu depicts beautiful sceneries to demonstrate his yearning for Jiangnan,while implying and echoing the nostalgia of modern people.For the ocean image,on the other hand,he compares the journey of homecoming to a voyage,yet the endless voyage indicates the fizzling out of the journey,revealing the nihilistic essence of Jiangnan.T he boat image is a symbol of the man travelling away from Jiangnan and the“lonely boat afloat”expresses the loneliness for una ble to go back to his homeland.These images form an organic whole,displaying Zhu’s overwhelming cultural nostalgia.

关 键 词：朱英诞 江南书写 意象特征 精神故乡 

分 类 号：H315[语言文字—英语]