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作 者:颜宽 Yan Kuan
机构地区:[1]莫斯科大学
出 处:《俄罗斯文艺》2021年第4期73-83,共11页Russian Literature & Arts
摘 要:曼德尔施塔姆对古希腊神话主题的艺术处理具有明显的反象征主义性。有别于象征主义恢弘的神话-历史诗学,曼氏的艺术创作拒绝了神话情节的宏大叙事,反而倾向于将个人经历与神话情节融为一炉,赋予作品强烈的抒情性,在诗歌中塑造出一个平凡可靠的家园现实。本文以曼氏的两首诗歌《为着我不善于握住你的双手》与《从瓶中倒出金黄色蜂蜜》为研究对象。两首诗作分别以荷马史诗《伊利亚特》与《奥德赛》中的神话情节为背景展开,但诗人借助主人公与神话人物视野的融合,历史与现实世界的相交等方式还原了神话中潜藏的日常性,突出表现了个体的心理世界和真实的"人"的面貌。这一逆崇高的倾向与诗人的个人美学原则紧密相关。Mandelstam’s artistic treatment of the theme of ancient Greek mythology is obviously anti-symbolistic.Different from symbolism’s magnificent mythological—historical poetics,Mandelstam’s artistic creation opposed the grand narration of mythological plot and pursued to blend his personal experience and mythical plot.His works are endowed with strong lyricism and created an ordinary and reliable home reality.This paper takes his poems"For I am not good at holding your hands"and"Pouring golden honey out of the bottle"as the research object.The two poems are based on the mythological plots in Homer’s epics"Iliad"and"Odyssey".In the works,the poet reconstructs the real world with the help of mythical images.The poet restored the daily nature of the myth by the integration of the protagonist and the mythological characters’vision and highlighted the individual psychological world.This tendency is closely related to the poet’s personal aesthetic principles.
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