梅列日科夫斯基文化诗学中的果戈理  

Gogol in Merezhkovsky’s Cultural Poetics

作　　者：宋胤男 Song Yinnan

机构地区：[1]南开大学外国语学院

出　　处：《俄罗斯文艺》2021年第4期84-93,共10页Russian Literature & Arts

摘　　要：梅列日科夫斯基对果戈理的研究具有主观主义美学批评的特征,是建构其自身文化诗学的重要组成部分。他分析了果戈理生平与创作中善与恶、灵与肉、世俗与教会等关键问题,并将作家定义为俄国心灵的洞察家、俄国精神的苦行僧与俄国文化的受难者。梅列日科夫斯基的研究揭示了果戈理的另一面特征,在一定程度上打破了果戈理研究定论,革新了读者对果戈理的认知,引起了深刻反响。Merezhkovsky’s study of Gogol is characterized by subjectivist aesthetic criticism and is an important part of constructing his own cultural poetics.He analyzes the key issues of good and evil,soul and body,secularity and church in Gogol’s life and creation,and defines the writer as an insightful man of Russian mind,a bitter monk of Russian spirit and a victim of Russian culture.Merezhkovsky’s research reveals another feature of Gogol,breaks the conclusion of Gogol’s research,innovates the reader’s cognition and arouses profound repercussions.

关 键 词：梅列日科夫斯基 果戈理 主观主义 善与恶 灵与肉 世俗与教会 

分 类 号：I512.06[文学—其他各国文学]