报刊媒介与安徽抗战戏剧活动--以《前线日报》为中心的考察  

Press Media and Anhui Anti-Japanese War Drama Activities

作　　者：黄文奇 王方好 HUANG Wenqi;WANG Fanghao

机构地区：[1]安徽大学新闻传播学院,安徽合肥230601 [2]上海师范大学人文学院,上海200234

出　　处：《郑州航空工业管理学院学报（社会科学版）》2021年第5期70-79,共10页Journal of Zhengzhou University of Aeronautics(Social Science Edition)

基　　金：国家社科基金重大项目“新中国成立70周年中国戏曲史(安徽卷)”(18ZD08);合肥市哲学社会科学规划项目“安徽抗战戏剧研究”(HFSKQN202133)。

摘　　要：《前线日报》的安徽抗战戏剧史料价值主要体现在作品创编、理论构建两大层面。作品创编上,《前线日报》中刊载的戏剧作品大多呈现出明确的抗战主题、贯穿着现实考量的舞台演出意识、同时尝试寻求以多元变化的叙事形式呈现宏大革命主旨。理论构建上,《前线日报》探索了如何在戏剧文体内应用现实主义美学原则,并且回应了30年代文艺界讨论的"文艺大众化"问题,先后刊载诸多谈论戏剧大众化问题的理论文本,还对民族戏剧的艺术特性问题提出了诸多建言。The Frontier Daily is Anhui Anti-Japanese War drama historical materials is reflected in two aspects:the creation of works and the construction of theory.In the creation of the works,most of the dramatic works published in the Frontier Daily show a clear theme of the Anti-Japanese War,run through the consciousness of stage performance with realistic considerations,and at the same time try to present the grand revolutionary theme in a pluralistic narrative form.In terms of theoretical construction,it profoundly explores how to apply the principles of realistic aesthetics in the style of drama,and conforms to the problem of"popularization of literature and art"discussed in the literary and art circles in the 1930 s.It has published many theoretical texts on the popularization of drama,and at the same time put forward many suggestions on the artistic characteristics of national drama.

关 键 词：《前线日报》 抗战戏剧活动 戏剧理论 戏剧大众化 

分 类 号：I207.309[文学—中国文学]