论《长恨歌》的仙化情节与“长恨”题旨  

On the Fairy Plot of The Song of Everlasting Regret and Its Deep Regret Theme

作　　者：林洁 LIN Jie(College of Literature and Media, Guizhou University, Guiyang 550025, China)

机构地区：[1]贵州大学文学与传媒学院,贵阳550025

出　　处：《唐都学刊》2021年第4期30-36,共7页Tangdu Journal

基　　金：贵州大学哲学社会科学研究项目:“仙话视阙下的唐五代诗歌研究”(GZPY2017026)。

摘　　要：《长恨歌》颂扬了唐明皇与杨贵妃之间的真挚爱情,作者白居易在民间传闻的基础上,为《长恨歌》下半篇构设了道士赴蓬莱寻找杨贵妃魂魄的仙化情节。我们从杨贵妃形象的仙化、《长恨歌》仙化故事情节的演变及其缘起三个方面进行解读,得以更深层地观照这首诗的题旨:一为杨贵妃尸解蓬莱之哀恨;二为唐明皇痛失所爱之悲恨;三为作者白居易对自身恋爱悲剧之憾恨。《长恨歌》的作者白居易仙化了唐明皇与杨贵妃故事的结局,既慰藉了世人爱而不得之“长恨”,同时也肯定了爱情的永恒价值。The Song of Everlasting Regret chants the praises of the sincere love between Emperor Xuanzong of Tang and Lady Yang.On the basis of the folk hearsay,as the author of this poem,Bai Juyi designed the fairy plot of the Taoist priest’s searching Penglai for the soul of Lady Yang on the second half of this poem.From the fairy image of Lady Yang,the evolution of the fairy plot and the origin of the love poem,the theme of this poem can be interpreted and further understood from three aspects:firstly,Lady Yang’s lament of becoming a fairy on Penglai after death;secondly,Emperor Xuanzong of Tang’s sorrow of having lost his beloved one;thirdly,Bai Juyi’s regret for his own love tragedy.Bai Juyi turned the story of Emperor Xuanzong of Tang and Lady Yang into a fairy tale,not only comforting those who sought love but could not get it but also affirmed the eternal love.

关 键 词：《长恨歌》 杨贵妃 唐明皇 仙化情节 “长恨”题旨 

分 类 号：I207.22[文学—中国文学]