中国古典诗学中的“风人”身份批评  

Evaluation of the Identity of “Fengren” in Classical Chinese Poetics

作　　者：吕仕伟 LYU Shiwei(Department of Chinese,Sun Yat-sen University,510275)

机构地区：[1]中山大学中文系,510275

出　　处：《文艺理论研究》2021年第5期79-84,共6页Theoretical Studies in Literature and Art

摘　　要："风人"是由《诗》而来的重要身份指称,中国古典诗学围绕"风人"话语形成了独特的身份价值批评。"风人"内含着《诗》学伦理,在与"骚人"身份的区分中,形成了对"风人"讽喻施政身份的认同。随着风、雅文体价值区分,在与铺情尽辞的"才人"身份的区别中,"风人"托兴深致的身份意义彰显。基于"风"之作者群体及诗体内容,出现了以"风人"群体为中心的风谣诗体,形成了以"风人体"为代表的民间抒情风格与"风人"诗学评价歧异。厘清"风人"的诗学价值对认识中国古代经典诗人的身份内涵具有重要意义。"Fengren" is a reference of identity from The Book of Poetry. Classical Chinese poetics has formed a unique evaluation of the identity relevant to the discourse of "Fengren, " which is suggestive of the ethics in The Book of Poetry. In contrast to the identity of "Saoren, " "Fengren"’s identity is linked with political criticism and sarcasm. As "Feng" and "Ya" are gradually distinguished, "Fengren" is differentiated from "Cairen" and becomes increasingly recognizable in terms of expressing meanings metaphorically through things. Thanks to the author community and the content of "Feng, " the style of folk lyric is formed with "Fengren" at its centre, which, as a result, foregrounds a different evaluation of popular poetics represented by "the style of Fengren." It is thus essential to understand the poetic value of "Fengren" and its contribution to the identity of classical Chinese poets.

关 键 词：风人 身份区分 风人体 

分 类 号：I207.22[文学—中国文学]