波德莱尔美学思想中“恶”的探索——纪念波德莱尔诞辰200周年  

The“Evil”in Baudelaire’s Aesthetic Thought:In Honor of the 200th Anniversary of Baudelaire’s Birth

作　　者：钟晋芸 Zhong Jinyun

机构地区：[1]广东外语外贸大学西方语言文化学院

出　　处：《法语国家与地区研究（中法文）》2021年第4期72-81,92,93,共12页Etudes Francophones

摘　　要：波德莱尔是现代文学的开创者,象征主义诗歌的先驱。“恶”是贯穿波德莱尔整个诗学的精神旨要。他的诗集《恶之花》以“恶”为主线,为整个诗歌甚至文学界开辟了全新的视域。波德莱尔之“恶”含义广泛:在美学范畴内,“恶”即是丑;放眼社会,“恶”是一种苦难;在宗教领域,“恶”可被诠释为原罪;在身体方面,“恶”可以被解读为痛苦、衰老甚至死亡;而在反叛的精神层面,“恶”可以被理解为一种反抗、一种越界。本文将从美学角度探索波德莱尔之“恶”背后潜藏着的令人震惊的灵性诉求、高贵意义以及感动人心之美。Baudelaire was a pioneer of modern literature and the father of symbolism,and the“evil”was the leitmotif guiding his’s entire poetics.His poetry collection The Flowers of Evil made“evil”its guiding theme,opening up a whole new horizon for poetry and even literature generally.Baudelaire’s“evil”is polysemous:at the aesthetic level,it can be interpreted as ugly;from a social point of view,it means misery;in relation to body,it can be interpreted as pain,ageing and even death;finally,at the spiritual level,“evil”denotes a kind of transgression and revolt.The present article proposes an analysis of the amazing inner callings,noble ends and heart-touching beauty behind Baudelaire’s“evil”from an aesthetic perspective.

关 键 词：波德莱尔 美学思想 《恶之花》 

分 类 号：I106[文学—世界文学]