以瓷为媒:粉彩青绿山水瓷画审美探析  

Making porcelain as medium:Analysis of aesthetic characteristics of pastel green landscape porcelain painting

作　　者：刘勰 李金来 LIU Xie;LI Jinlai(Liu Xie Studio,Jingdezhen 333000,China;School of Culture and Media,Guiyang University,Guiyang 550005)

机构地区：[1]刘勰工作室,景德镇333000 [2]贵阳学院文化传媒学院,贵阳550005

出　　处：《中国陶瓷》2021年第10期117-122,共6页China Ceramics

基　　金：国家社会科学基金艺术学西部项目(18EG218)阶段性成果。

摘　　要：以瓷为媒是粉彩青绿山水瓷画传承中国山水画艺术精神的审美表征,也是创新粉彩山水瓷画表现路径的艺术方式。粉彩青绿山水瓷画在数百年的发展历程中,始终关注对人与自然关系的哲学审问,在承继传统水墨山水画审美范式的基础上,创造性地以瓷作为粉彩山水画创作的材料媒介,开拓粉彩青绿山水画的创作空间。天人合一、瓷画载道、空间经营和诗意栖居作为粉彩青绿山水瓷画的审美特征,对于中国山水画的创意创新具有重要价值。Making porcelain as the medium is the aesthetic representation of pastel green landscape porcelain painting inheriting the artistic spirit of Chinese landscape painting,and is also an artistic way to innovate the expression path of pastel landscape porcelain painting.In the development of pastel green landscape porcelain painting for hundreds of years,it always pays attention to the philosophical interrogation of the relationship between man and nature.On the basis of inheriting the aesthetic paradigm of traditional ink landscape painting,it creatively uses porcelain as the material medium of pastel green landscape painting to open up the creative space of pastel green landscape painting.As the aesthetic characteristics of pastel green landscape porcelain painting,the unity of nature and man,the porcelain painting carries the doctrine,the space management and the poetic dwelling are of great value for the creative innovation of Chinese landscape painting.

关 键 词：以瓷为媒 天人合一 山水瓷画 画以载道 

分 类 号：TQ174.74[化学工程—陶瓷工业]