“戏剧”和“剧场”:概念考辨与文化探寻  

"Xiju" and "Juchang" :Concept Identification and Cultural Probe

作　　者：高子文[1] Gao Ziwen

机构地区：[1]南京大学文学院

出　　处：《戏剧艺术》2021年第5期72-76,77-84,共13页Theatre Arts

基　　金：霍英东教育基金会资助(项目编号:171091);中央高校基本科研业务费专项资金资助(项目编号:010114370121)。

摘　　要："戏剧"与"剧场"是戏剧学中的两个关键词,它们的词义在20世纪中国发生了重要演变,衍生出一些特殊用法。西方小剧场运动的译介,西方当代戏剧观念的引入,是词义发生变化的主要原因。对这两个关键词的历史形成和词义演变状况的考察,有助于厘清戏剧学中的一些关键概念。当代学术话语实践应当尊重词义演变的历史与规律,将词汇纳入其自身语境中加以考虑和辨认,并以包容的态度面对词汇的多层含义。"Xiju" and "Juchang" are two keywords in the field of theatre studies.Their meanings have changed greatly in the 20 th century China,and some special usages have been derived.The introduction of western little theatre movement and the translation of western contemporary theatre theories are the main reasons for the change of their meanings.The investigation of the historical formation and semantic evolution of these two key words is helpful to clarify some key concepts in theatre studies.Contemporary academic discourse practice should respect the history and law of the semantic evolution.The words should be considered and recognized in their own context by scholars with an inclusive attitude.

关 键 词：戏剧 剧场 后戏剧剧场 话语实践 

分 类 号：J80[艺术—戏剧戏曲]