反抗绝对理性的“绝对意愿”:阿努依版《安提戈涅》与萨特的存在主义思想  

"Absolute Will" Against Absolute Rationality:Anouilh’s Antigone and Sartre’s Existentialist Philosophy

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作  者:潘淋青 袁筱一[1] PAN Linqing;YUAN Xiaoyi

机构地区:[1]华东师范大学外语学院 [2]安庆师范大学外国语学院

出  处:《戏剧艺术》2021年第5期127-138,共12页Theatre Arts

基  金:华东师范大学2019年优秀博士研究生学术能力提升计划项目(YBNLTS2019-060)阶段性成果。

摘  要:当代法国剧作家让·阿努依盛名享誉国内外。2010年以来,法国掀起"重读经典——对阿努依戏剧作品及其戏剧艺术进行现代阐释"的风潮。其代表剧作《安提戈涅》改编自古希腊悲剧作家索福克勒斯同名作品。阿努依虽保留原著情节走向,但人物形象与戏剧冲突在多层次发生改变。与索氏原作彰显的"超越性"悲剧性不同,阿氏《安提戈涅》从戏剧形式到内容方面试图表达一种"绝对意愿",从现代意义上实现对原作的超越。参照萨特存在主义哲学思想中关于自由选择的理论,"绝对意愿"一定程度上反映了"行动"与"选择"的自由意识,与作品时代社会文化语境密切相关,本质为面对现代社会问题的非理性态度,是对主流话语群体和绝对理性的反抗,在当下仍具有深刻文学价值和现实意义。Jean Anouilh,a contemporary French playwright,is well known both at home and abroad.Since 2010,there has been a trend in France to re-read and reinterpret of Anouilh’s plays and theatre arts.His representative play Antigone is an adaptation from the ancient Greek tragedian Sophocles’ work of the same name.Although Anouilh retains the plot of the original work,the images of the characters and the dramatic conflicts have been changed fundamentally at multiple levels.Different from the tragic "transcendence" displayed in Sophocles’ original work,Anouilh’s play attempts to express an "absolute will" in terms of form and content in the hope of surpassing the original work in a sense of modernity.Referring to the theory about "freedom" and" choice " in Sartre’s existentialist philosophy,this paper finds that "absolute will",to some extent,reflects the free will in "action" and "choice".Closely related to the social and cultural context of the time of the work,it is essentially an irrational attitude in face of the problems of modern society and a revolt against mainstream discourse and absolute rationality.Therefore,it is still of great literary value and practical significance nowadays.

关 键 词:《安提戈涅》 绝对意愿 阿努依 萨特存在主义思想 悲剧性 

分 类 号:J80[艺术—戏剧戏曲]

 

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