论芥川龙之介对近代苏州的传统性身份建构  

Akutagawa Ryunosuke’s Traditional Identity Construction of Modern Suzhou

作　　者：何荷 杨伟[1] HE He;YANG Wei

机构地区：[1]四川外国语大学日语学院,重庆400031

出　　处：《外国语文》2021年第5期40-48,共9页Foreign Languages and Literature

基　　金：江苏高校哲学社会科学一般项目“日本近代知识分子的江南趣味研究”(2021SJA0896);无锡市科协软科学研究课题“近代日本人的江南游记研究”(KX-21-C149)的阶段性成果。

摘　　要：尽管苏州与上海在地理上同属江南,但芥川龙之介在结束中国游览后对苏州进行"追体验"的过程中,却将不同于近代上海之西洋性的古典中国的传统性灵魂从现实苏州中提炼出来,并灌注到了作为文本的苏州书写中。在苏州叙事的起点,芥川将"毛驴"这一交通工具作为一种独特的语言编码,来建构苏州城的传统文化空间,并借由"华人与狗不得入内"与"犬与日奴不得题壁"的对照叙述,以及同行者岛津四十起之上海体验与苏州体验的差异化书写,有意识地强化了近代苏州与"西洋"的上海迥然相异的东方传统气质,从而为近代苏州赋予了传统性身份。Although Suzhou and Shanghai are both located in the south of the Yangtze River geographically, Akutagawa Ryunosuke abstracted the traditional soul of classical China, which is different from the western style of modern Shanghai, from the reality of Suzhou and infused it into the writing of Suzhou as a text. At the starting of Suzhou narrative, Akutagawa takes donkey as a language code to construct the traditional cultural space of Suzhou city. He also consciously used the comparative narration of "Chinese and dogs are not allowed to enter" and "dogs and Japanese slaves are not allowed to inscribe walls", as well as Shimazu Yosoki’s different experience between Shanghai and Suzhou, to strengthen the oriental traditional temperament of modern Suzhou, which is quite different from that of "western" Shanghai, endowing modern Suzhou with a traditional identity.

关 键 词：芥川龙之介 《江南游记》 近代苏州 传统性 

分 类 号：I313.064[文学—其他各国文学]