弗兰克·奥哈拉诗歌创作的游戏特点  

Features of Play in Poetic Practice of Frank O’Hara

作　　者：伍紫维 郑燕虹[1] WU Ziwei;ZHENG Yanhong

机构地区：[1]湖南师范大学外国语学院,湖南长沙410081

出　　处：《外国语文》2021年第5期49-55,共7页Foreign Languages and Literature

基　　金：湖南省教育厅教改课题“新时代英语专业英美文学教学改革与学生跨文化能力培养”(2019291160);国家社会科学基金重大项目“20世纪美国文学思想研究”(14ZDB088)的阶段性成果。

摘　　要：有学者认为游戏是诗歌的重要源泉之一,与诗歌有着天然的紧密联系。游戏精神是游戏的灵魂和内核,是一种追求愉悦、创新和自由的精神。纽约派诗人弗兰克·奥哈拉在诗歌创作中追求游戏精神,并以此践行有悖于艾略特的诗歌路线,他通过与画家的游戏式合作创作了诸多妙趣横生的诗画作品。他的诗歌宛如万花筒一般,充满了自由拼贴的诗歌意象。他设计的诗歌排版新颖独特,极富创造力。Some scholars believe that all poetry is born of play and every form of poetic utterance is intimately bound up with play.The spirit of play is the core essence of play that embodies the pursuit of freedom,innovation,and pleasure.The New York School poet,Frank O’Hara pursues the spirit of play and experiments in a style directly contrary to that established by Eliot.He collaborates with painters in a playful way,creating many poem-paintings full of pleasure.O’Hara freely writes densely collaged poems,representing his kaleidoscopic vision.The design of his poetry is novel and creative.He is a poet who makes poetry look like a game.

关 键 词：弗兰克·奥哈拉 诗歌创作 游戏 

分 类 号：I712.072[文学—其他各国文学]