双重个体下的逃离与回归--论村上春树的《世界尽头与冷酷仙境》  

Escape and Regression under Dual Individuals--On Hard-Boiled Wonderland and the End of the World by Haruhi

作　　者：李婕雅 LI jie-ya(Shanxi University,Taiyuan,Shanxi 030006,China)

机构地区：[1]山西大学,山西省太原市030006

出　　处：《湖北工业职业技术学院学报》2021年第5期47-51,共5页Journal of Hubei Industrial Polytechnic

摘　　要：村上春树在《世界尽头与冷酷仙境》中运用独特的并置式“双重个体”时空分裂叙事方式,企图通过两组不同的场景构造,来呈现不同的主题内涵:一是设置“冷酷仙境”中的“我”(わたし)和“世界尽头”中的“我”(ぼく)两个叙事视角,展现了“精神生存”和“身体生存”之间的矛盾与连接。二在此基础上对不同的平行时空进行比较,最终通过两者之间的相互补充对作者的世界观进行描绘;三是设置同而不同的人物形象,构建出“现实描写”和“文学虚构”之间的张力。Haruki Murakami employs a unique time-split narrative way of juxtaposition of“dual individuals”in his work Hard-Boiled Wonderland and the End of the World,to present different themes and connotations through two different scene constructions.The first is to create a character in two scenes——“I”(わたし)in“hard-boiled wonderland”and“I”(ぼく)in“the end of the world”,who display contradiction and connection between“spiritual survival”and“physical survival”.The second is to compare different parallel time and space at a deeper level,and finally demonstrate the author’s worldview through mutual complementation.The third is to construct a tension between“realistic description”and“literary fiction”by the same person in two different scenes.

关 键 词：村上春树 世界尽头 冷酷仙境 时空因素 人物对比 

分 类 号：I106.4[文学—世界文学]