多恩诗歌的巴罗克视觉化表达  

The Baroque Visual Expression in Donne’s Poems

作　　者：胡小玲[1] HU Xiaoling(Schoolof Foreign Languages, Neijiang Normal University, Neijiang Sichuan 641100, China)

机构地区：[1]内江师范学院外国语学院,四川内江641100

出　　处：《成都理工大学学报（社会科学版）》2021年第5期59-66,共8页Journal of Chengdu University of Technology:Social Sciences

基　　金：四川外国语言文学研究中心资助项目“约翰·多恩诗歌的巴罗克视觉化研究”(SCWY20-11)。

摘　　要：17世纪英国著名玄学派诗人多恩虽在视觉艺术方面鲜有成就,但由于其个人对绘画的喜爱以及与欧洲视觉艺术的频繁接触,使得多恩具有很强的视觉意识和视觉表达能力。多恩诗歌通过奇喻、变形修辞、色彩化和空间化等方式加强文字的视觉表现力,构建出新颖别致的视觉图景。这些视觉化处理方式体现出多恩诗歌对模仿艺术原则背弃后,走向了内心化、主体化,是一种巴罗克视觉特征。巴罗克视觉化处理不仅揭示出多恩诗歌独特的艺术魅力,加强了诗歌思想上的张力,而且展现出多恩诗歌的丰富视觉文化内涵。Donne,known as the famous metaphysical poet in the 17th century in England,hasn’t made any achievements in visual arts,but he develops high visual consciousness and visual expression ability because of his personal interest in paintings and frequent contact with European visual arts.Donne employs conceit,metamorphosis,color and spatiality to enhance the visual expressiveness of the words,and constructs unique visual pictures.These techniques demonstrate that Donne’s poems forsake imitation and are characterized with internalization and subjectivity,which reveals the baroque visual feature.The baroque visual expression not only shows the unique artistic charm of Donne’s poems and enhances the tense in poetic thoughts,but also represents the wide visual culture in Donne’s poetry.

关 键 词：多恩 巴罗克 视觉化 

分 类 号：I106.2[文学—世界文学]