论古代辞赋的空间书写与文化成因  

On the Spatial Writing and Its Cultural Background in Ancient Fu

作　　者：易永姣[1] YI Yong-jiao(Research Center of Cifu and Parallel Prose,School of Liberal Arts,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院辞赋骈文研究中心,湖南长沙410081

出　　处：《湖南科技大学学报（社会科学版）》2021年第5期157-165,共9页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省教育厅重点项目(19A301)。

摘　　要：辞赋在写作缘起和呈现形式、审美特性上都与空间相关。承续中国古人以己感物的思维特征和具体物象的空间表述方式,辞赋中的空间书写表现出强烈的意念化特征,追求美政、颂美皇权、离世独居、览胜抒怀、边域期许等不同的空间书写形式,是作家在不同人生际遇下情感历程的生动呈现,也是中国古代文士人生价值和道义精神的体现。The creation of ancient Fu is influenced by space in writing purposes,presentation forms and aesthetic preferences.Carrying on Chinese people’s traditional mode of thinking that emphasizes personal feelings in understanding the outside world,and space description style that is based on specific objects,the spatial writing in Fu is full of consciousness tendencies,which can be summarized to different writing characteristics like pursuing ideal political development,extolling imperial power,advocating living alone and withdrawing from worldly affairs,taking advantage of majestic scenery to express emotions,and concerning oneself with the borders.Through them,the emotional changes of authors as they experience life ups and downs are vividly presented,and the life values,and morality and spirits of intellectuals in ancient China are reflected.

关 键 词：辞赋 空间书写 文化 审美心理 

分 类 号：I22[文学—中国文学]