在梦幻中找寻至真至纯的诗歌美:《幻象集》的三重解读  

Searching for the true and pure poetic beauty in fantasies: A triple interpretation of Les Chimères

作　　者：周权[1,2] 户思社 Zhou Quan;Hu Sishe

机构地区：[1]西安外国语大学研究生院,陕西西安710128 [2]巴黎第八大学,圣德尼93526 [3]中国人民对外友好协会,北京100740

出　　处：《外语教学》2021年第6期107-112,共6页Foreign Language Education

基　　金：西安外国语大学2017年度博士研究生科研基金一般项目“钱拉尔·德·奈瓦尔的作品研究”(项目编号:syjsb201717)的部分成果;国家留学基金委2018年度“建设高水平大学公派研究生项目”(留金发[2018]3101)的资助。

摘　　要：《幻象集》是19世纪法国浪漫派诗人钱拉尔·德·奈瓦尔的代表诗集,其"幻象"诗学表现出一种"怪诞"性,但这种看似对诗学准则的违背却蕴含着内在的和谐。在疯癫与理性之间,诗人爆发出惊人的创作天赋。文章从心理幻象、诗学幻象、梦幻美学三个方面探讨诗人"幻象"创作的心理动因、"幻象"的诗歌呈现以及由此带给读者的美学体验,同时也通过分析看似不合逻辑的梦幻诗歌,挖掘这位"疯子诗人"的诗歌语言内涵。Les Chimères is the representative collection of poems of the French romantic poet Gérard de Neval in the 19 th century. Its "fantastic" poetics shows a kind of "grotesque", but this seemingly violation of the poetic norms contains the inherent harmony. Between madness and rationality, the poet explodes with amazing creative talent. From three aspects of psychological fantasy, poetic fantasy and fantasy aesthetics, this article discusses the psychological motivation of the poet’s fantasy creation, his poetic presentation of "fantasy" and the aesthetic experience it brings to the readers. At the same time, through the analysis of seemingly illogical fantasy poetry, it also explores the poetic language connotation of this "mad poet".

关 键 词：奈瓦尔 《幻象集》 梦幻美学 19世纪诗歌 

分 类 号：I106.2[文学—世界文学]