羌族民歌[花儿纳吉]文化本源探秘  

The Cultural Origin of Qiang Folk Song“Huaer Naji”

作　　者：华明玲[1] HUA Mingling(School of Literature and Arts,Southwest University of Science and Technology,Mianyang 621010,Sichuan,China)

机构地区：[1]西南科技大学文学与艺术学院,四川绵阳621010

出　　处：《西南科技大学学报（哲学社会科学版）》2021年第5期68-74,96,共8页Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition

基　　金：2019国家社科基金民族学西部项目“羌族仪式音声的民间信仰与民俗文化研究”,项目编号:19XMZ044;2020年度四川省哲学社会科学重点研究基地西南音乐中心重点项目“羌族村落音乐的生态现状调查研究”,项目编号:xnyy2020009。

摘　　要：[花儿纳吉]是广泛流传于羌语南部方言区的一支民歌曲牌,因衬词中有"花儿纳吉"而得名。[花儿纳吉]旋律具有羌族传统民歌风格,歌词采用汉语七言诗句加上羌语及汉语衬词构成,具有优雅、尚美的艺术效果,及羌、汉文化交流融合的特征。论文通过对[花儿纳吉]的产生土壤、艺术形态、社会功能等进行分析,考量此类民歌在民族艺术发展过程中所代表的思想意识及产生的文化价值。Huaer Naji is a folk song which spreads in the south dialectal area of Qiang,and it gains the name due to its lining words called"Huaer Naji".The melody of Huaer Naji has traditional folk style of Qiang and the lyrics comes from the Chinese seven-character poem,Qiang language and Chinese lining words.So Huaer Naji has not only the elegant and beautiful artistic effects,but also features about cultural communication of Han and Qiang.The essay analyzes thoughts and culture value of this kind of folk song during the development of national art.

关 键 词：羌族民歌 花儿纳吉 艺术形态 文化价值 

分 类 号：D523.8[政治法律—政治学]