往复与停顿:卡洛·斯卡帕的空间路径  

Reciprocation and Pause: Carlo Scarpa’s Spatial Path

作　　者：任紫湫 Ren Ziqiu(School of Architecture,Southeast University,Nanjing Jiangsu 210096,China)

机构地区：[1]东南大学建筑学院,江苏南京210096

出　　处：《城市建筑》2021年第28期149-153,共5页Urbanism and Architecture

摘　　要：通过对斯卡帕的两个建筑作品——奥利维蒂展厅和布里昂家族墓园中的空间路径分析与比较,文章试图解释访者在其中行走时所能感受到的“异样”空间体验。此种不寻常的感受缘于两个案例中空间路径营造方式的共通之处,“死路”的设置、尺度的把控、节点的设计与连接是斯卡帕的建筑空间对身体的精确控制,使意外与好奇成为行走者的直接感受,停顿、转身、往复成为行为的主题。但两处空间路径组织方式的精妙差异,又各自形成了截然不同的整体空间氛围。Through the analysis on spatial paths in two architectural works of Scapa,the Olivetti Showroom and the Brion Family Cemetery,this paper attempts to explain the“unusual”spatial experience that visitors can feel in their walking.In the two completely different cases,there is a common way to create a space path.The setting of“dead ends”,the control of scales,and the design and connection of nodes are the precise control of the body by Scarpa’s architectural space,which makes accident and curiosity become the direct feeling of walking,and pausing,turning,and reciprocating become the subject of behavior.However,the subtle differences in the organization of the two spatial paths have formed a completely different overall spatial atmosphere.

关 键 词：卡洛·斯卡帕 空间路径 空间体验 奥利维蒂展厅 布里昂家族墓园 

分 类 号：TU29[建筑科学—建筑设计及理论]