第四度空间:《七湖诗章》意境说  

The Fourth Dimension:On the Images of The Seven Lakes Canto

作　　者：马凌[1] MA Ling(Department of Public Courses,Fujian Vocational College of Art,Fuzhou Fujian 350100,China)

机构地区：[1]福建艺术职业学院公共教学部,福建福州350100

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第11期113-115,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：《七湖诗章》以潇湘八景为创作蓝本,中国题材、中国文化意象,以及从意象派初期就开始的、借鉴中国古典诗歌和中国文字形成的诗艺,使庞德成功再现潇湘八景的诗画意境。他从潇湘八景静美的诗画意境中获得了“静”这个第四维度,并借用中国古歌描绘的尧舜圣治建立他的“理想国”。中国意境的超越性追求和表达以及所呈现出的“静”的美学境界,被庞德赋予了崇高的人文意义。The Seven Lakes Canto wasbased on the Eight Views of Xiaoxiang,where the poetic images of the Eight Views of Xiaoxiang was reproduced by Ezra Pound,combing C hinese themes,cultural image and poem arts learned from Chinese Classic Poetry and Characters during the early stage of Imagism.He achieved stillness,the fourth dimension among those images,and built his Ideal Landscape through Rule of Virtue of Yao and Shun period depicted by Chinese ancient poems.The aesthetic stillness presented in the pursuit and expression of Chinese images transcendence were endowed with high humanity value by Ezra Pound.

关 键 词：庞德 七湖诗章 意境 

分 类 号：I106.2[文学—世界文学]