《赎罪》小说与电影的比较分析  

Atonement:A Comparative Analysis of Novel and Film

作　　者：李雪莹 陈婷婷[2] LI Xue-ying;CHEN Ting-ting(Ketchum Shanghai,Shanghai 200040,China;Wenzhou University,Wenzhou Zhejiang 325000,China)

机构地区：[1]凯旋先驱公共关系有限公司,上海200040 [2]温州大学瓯江学院,浙江温州325000

出　　处：《铜陵学院学报》2021年第5期91-94,共4页Journal of Tongling University

摘　　要：英国作家伊恩·麦克尤恩的长篇小说《赎罪》于2007年由导演乔·怀特搬上银幕。文章旨在通过对《赎罪》小说和电影的比较分析,对电影在主题构想、叙事手法、艺术技巧三个方面进行深入探究。从主题上看,电影整合了原著含混复杂的主题;从叙事手法上看,电影参照了小说多重视角的叙事方式,但电影的不足之处在于叙事主体意识的缺失;在电影的艺术技巧方面,主要是在电影节奏、画面色彩以及电影镜头表现力方面增添了艺术魅力。The British novelist Ian McEwan’s novel Atonement was brought on screen by director Joe Wright in 2007.This article aims to explore in-depth the three aspects of the film:the theme,the narrative techniques,and the art skills,by comparing and analyzing the novel and film.From the theme,the movie integrates the ambiguous and complicated topics of the original book;judging from the narration technique,the film refers to the narrative approach of multiple perspectives of the novel,but the inadequacy of the film lies in the lack of narrative subject consciousness;in terms of the artistic skills of the film,the rhythm,the color of the picture and the expressiveness of lens adds the artistic charm of film.

关 键 词：《赎罪》 电影改编 叙事视角 叙事意识 电影元素 

分 类 号：J905[艺术—电影电视艺术]