周邦彦词中精雕细琢的含蓄特性  

On the Subtle Beauty in Zhou Bangyan’s Ci

作　　者：任美云 Ren Meiyun(College of Chinese Language and Literature,Qinghai Normal University,Xining,Qinghai 810008,China)

机构地区：[1]青海师范大学文学院,青海西宁810008

出　　处：《桂林师范高等专科学校学报》2021年第5期60-64,共5页Journal of Guilin Normal College

基　　金：2016年度国家社会科学基金项目“隋唐五代类书与中国古代文学批评之关系研究”(16BZW054)。

摘　　要：含蓄美是中华民族自古以来追求的审美倾向,藏而不露、温婉如玉是民族文化素养的典型特性。词人周邦彦在继承前人衣钵的基础上,对含蓄美又有新的创新,其主要贡献有二:第一,在艺术技巧上的突破,以精雕细琢的高超技巧刻画含蓄这种自然天成之美,而达到浑融一体之境;第二,在内容方面的雅化,把含蓄与恋情词完美融合,摒除了词自产生以来固有的浅俗鄙陋之感,而使其走向了雅正之路,提高了词的地位。Subtle beauty is an aesthetic tendency pursued by the Chinese nation since ancient times.It is a typical characteristic of national cultural accomplishment to be implicit in representations of emotions.Zhou Bangyan,a poet of the Northern Song Dynasty,has made two major contributions to the innovation of the subtle beauty on the basis of inheriting the predecessors’experience.Firstly,he has made a breakthrough in artistic skills by depicting natural implicit beauty with his exquisite skills,thus achieving a state of perfect integration.Secondly,in terms of elegance in content,Zhou Bangyan has perfectly integrated the implicit beauty in Ci themed by lovesickness and farewell,and eliminated the inherent vulgar feeling of Ci since its emergence,which made it move towards the elegance as well as uprightness and improved the status of Ci in the end.

关 键 词：周邦彦 含蓄美 精工 中国话语体系 

分 类 号：I206[文学—中国文学]