湖湘传统纹样中的“和”文化意蕴及其当代价值  

Cultural Implication of“Harmony”in Huxiang Traditional Patterns and Its Contemporary Value

作　　者：彭嘉骐[1] 邓嘉琳[1] PENG Jiaqi;DENG Jialin(School of Art,Changsha Social Work College,Changsha Hunan 410004,China)

机构地区：[1]长沙民政职业技术学院艺术学院,湖南长沙410004

出　　处：《长沙大学学报》2021年第6期18-23,共6页Journal of Changsha University

基　　金：湖南省哲学社会科学基金项目“湖湘古建筑图腾符号语意解读与传承创新研究——以长沙地区为例”,编号:19YBA046。

摘　　要：纹样的造型观念来源于当时当地的社会文化和世俗伦理,湖湘文化对湖南的传统纹样造型形态有着深刻的影响,而其中“和”文化的影响无疑是最具支配性的。以“和”文化意蕴为切口,挖掘湖湘传统纹样的造型特征和文化观念,并将纹样中“和”的观念引申到个人、社会、国家的关系中,为国家与社会的和谐发展提供传统智慧的支撑。The sculptural concept of pattern originates from the social culture and secular ethics of the time and place.Huxiang culture has a profound influence on the traditional sculptural form of Hunan,among which the influence of“harmony”culture is undoubtedly the most dominant.Based on the cultural implication of“harmony”,this paper explores the modeling characteristics and cultural concepts of Huxiang traditional patterns,and extends the concept of“harmony”in the patterns to the relationship between individuals,society and country,so as to provide support for the harmonious development of the country and society with traditional wisdom.

关 键 词：湖湘传统纹样 “和”文化 当代价值 

分 类 号：J501[艺术—艺术设计]