海盗与同伙——疫情期间网络戏剧大放光彩  

Pirates and Gangs——On-line Drama during the COVID-19 Pandemic

作　　者：  徐胤(译) Sophie Diesselhorst;Christian Rakow;Xu Yin

机构地区：[1]《午夜剧评》杂志社 [2]中国人民大学德语系

出　　处：《戏剧（中央戏剧学院学报）》2021年第5期1-16,共16页Drama:The Journal of the Central Academy of Drama

摘　　要：新冠疫情在对传统剧场模式造成冲击的同时,也为戏剧实践方式的创新提供了契机。从最初的线上直播、录播到专门面向线上观众创作的网络戏剧,再到线上线下相结合的混合戏剧模式,多家德语区剧院实现了对传统戏剧"即时性"和"现场性"的颠覆,促进了戏剧在互联网上的延伸和传播,也为观众带来了新的审美体验。本文回顾了德语戏剧界自新冠疫情蔓延以来对戏剧结构和形式的探索,并对网络戏剧的未来发展作出展望。While challenging the traditional theater model,the COVID-19 pandemic also provides an opportunity for innovation in the theater practice.Starting from the live and recorded broadcast of theater performances,several theaters in German-speaking countries create specifically dramas for online audiences and hybrid dramas combining online and offline methods,which goes beyond the traditional concepts of"immediateness"and"liveness",facilitates the dissemination of online drama and brings new aesthetic experiences to the audiences.This article reviews the exploration of the structure and form of drama in German-speaking theater communities since the outbreak of the COVID-19 pandemic and gives an outlook on the future development of online drama.

关 键 词：混合戏剧模式 线上戏剧 德语区戏剧 

分 类 号：J83[艺术—戏剧戏曲]