李东阳《拟古乐府》新变——兼论对明清咏史乐府的开启  

New Changes of Li Dongyang’s Ni Gu Yuefu——On the Opening of the Yuefu of Yongshi in Ming and Qing Dynasties

作　　者：张煜[1] Zhang Yu(Chinese Poetry Research Center Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学中国诗歌研究中心,北京100089

出　　处：《北京化工大学学报（社会科学版）》2021年第3期67-72,共6页Journal of Beijing University of Chemical Technology(Social Sciences Edition)

基　　金：国家社科基金项目“唐代乐府诗学研究”(17BZW089)。

摘　　要：明代著名诗人李东阳作有《拟古乐府》101题101首,学界大多以古乐府评之。其实李东阳创作乐府诗的初衷、乐府诗命题与选材、诗歌的音乐性与体式,以及在时人心中的评价都清楚地表明,其拟古乐府诗的实质为新乐府,非传统意义的古乐府。名为"拟古",其实为"新"。李东阳《拟古乐府》不但较唐代元白以诗讽谏天子、写当下史有进一步开拓,而且真正开启了明清乐府咏史创作的先河,乐府诗从汉到清这一发展脉络因之清晰而完整。Li Dongyang,a famous poet in Ming Dynasty,wrote 101 pieces of Ni Gu Yuefu with 101 titles,which most scholars commented with the ancient Yuefu. As a matter of fact,Li Dongyang’s original intention of composing Yuefu poetry,its proposition and material selection,its musicality and style,as well as its evaluation in the people’s mind all clearly show that ancient Yuefu poems he composed was New Yuefu in essence,an ancient Yuefu with non-traditional meaning,which imitated the ancient Yuefu nominally,but it was actually"New". Li Dongyang’s Ni Gu Yuefu was not only a further development than Yuan Bai in Tang Dynasty,who satirized the son of Heaven with poems and wrote down the current history,but also truly opened the precedent of the creation of Yuefu chanting history in Ming and Qing Dynasties. The development of Yuefu poems from Han to Qing dynasty was clear and complete.

关 键 词：李东阳 拟古乐府 新变 明清 咏史乐府 

分 类 号：I207.22[文学—中国文学]