司马长风与尹雪曼的新文学史书写之比较  

Writing History of Chinese New Literature:a Comparison of Sima Changfeng and Yin Xueman

作　　者：伏丽敏 FU Li-min(School of Literature,Journalism and Communication,Chongqing University of Humanities and Technology,Chongqing 401520)

机构地区：[1]重庆人文科技学院文学与新闻传播学院,重庆401520

出　　处：《汕头大学学报（人文社会科学版）》2021年第1期12-20,94,共10页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：司马长风和尹雪曼的中国新文学史书写是两条时有交叉却又渐行分离的相交线。他们都是在而立之年离开中国大陆,在知天命之际陆续收获新文学史书写成果。但受时代背景、文化氛围和知识分子场域等因素影响,两位新文学史家表现出不同的关注重点。前者构筑了一种非功利性的浪漫主义抒情基调;后者则立足现世,以诚恳真挚的观照态度在官方和个人话语间游走,并最终确立多向性的文学追求。论文以司马长风和尹雪曼的新文学史著作为基点,分别从写作体例、审美原则和对“民族性”中心的阐述三方面入手,以期探析二者于共性游子情怀背后不同的美学位置选择。Sima Changfeng and Yin Xueman demonstrate both commonality and difference in their writing of the history of Chinese New Literature.Both left China's Mainland at the age of 30,and both established themselves in New Literature history writing at about 50.However,affected by factors like time,cultural environment and intellectual field,the two historians had different focuses.The former demonstrates a non—utilitarian romantic lyric mood,while the latter is more this—worldly,wandering between official and personal discourses with sincerity,and finally establishes a multidimensional literary pursuit.This paper investigates their different aesthetic positions in terms of their writing style,aesthetic principle and their interpretation of national character.

关 键 词：司马长风 尹雪曼 新文学史 新文学研究 

分 类 号：I206.7[文学—中国文学]