昆腔在潮汕地区的传播与潮剧音乐对昆腔的吸收  

Kun Opera in Chaoshan Area:Its Spread and Assimilation by Chaozhou Opera

作　　者：董学民[1] DONG Xue-min(Cheung Kong School of Art&Design,Shantou University,Shantou,Guangdong 515063)

机构地区：[1]汕头大学长江艺术与设计学院,广东汕头515063

出　　处：《汕头大学学报（人文社会科学版）》2021年第1期38-42,95,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：国家社科基金艺术学一般项目“二十世纪广东潮剧音频视频资料的整理与研究”(17BB038)。

摘　　要：潮剧源于南戏,在发展过程中曾受到其他声腔、剧种的影响。昆腔唱词典雅、声腔细腻,在中国戏曲史上影响深远。作为地方剧种,潮剧在与其他戏曲的交流中,移植其中的昆腔剧目。通过一系列音乐上的比较和分析,可以看出潮剧巧妙地吸收其曲牌作为伴奏音乐;在唱法上,吸收其赠版的演唱方式,从而使潮剧唱腔具有细腻、委婉的特色,这种特点在潮剧的头板曲牌中表现得尤为明显,使潮剧艺术表现力得到加强。Originated as a branch of Southern Opera,Chaozhou Opera was influenced by other tunes and operas in its development.With its elegant libretto and subtle tunes,Kun Opera exerted a great impact on the history of Chinese operas.Chaozhou Opera borrowed from the repertoire of Kun Opera,and assimilated its music as demonstrated by comparison and analysis.In singing this assimilation rendered Chaozhou Opera more subtle and melodious,especially in the major tunes,which promoted the artistic expressiveness of Chaozhou Opera.

关 键 词：昆腔 潮剧伴奏 潮剧声腔 

分 类 号：J825[艺术—戏剧戏曲]