从《悟空传》到《大圣归来》看孙悟空性格特点的变迁  

On the Changes of Monkey King’s Character from Biography of Wukong to Monkey King:Hero is Back

作　　者：魏梦茹 WEI Mengru(School of Literature,AnHui University,Hefei Anhui 230031)

机构地区：[1]安徽大学文学院,安徽合肥230031

出　　处：《宁波开放大学学报》2021年第3期119-123,共5页Journal of Ningbo Open University

摘　　要：著名网络小说《悟空传》塑造了一个敢于反抗权威的悟空形象,成功在大众脑海中留下不可磨灭的印象,近年来口碑票房大获全胜的电影《西游记之大圣归来》也给国产动画电影树立了一个优秀的榜样。与《悟空传》相比,《西游记之大圣归来》中孙悟空的性格特点出现一些较明显的变化:暖男化和平凡化。悟空形象特点变化源于多方面的原因:故事主题和时代背景的差异;影视行业的飞速发展和国产动漫的再度崛起;广大群众的心理需求。悟空形象中性格特点的创新同样具有一定的价值,不仅可以满足大众的审美趣味,引发经典作品解读浪潮,对国产动画电影的发展也具有很大益处。The famous online novel biography of Wukong created an indelible image of Son Goku,who dares to rebel against authority;Monkey King:Hero Is Back,a box office smash in recent years,has also set an excellent example for domestic animated films.Compared with biography of Wukong,the character of Son Goku in Monkey King:Hero Is Back shows some obvious changes:warming male and trivializing.The change of Son Goku’s image is due to many reasons:The difference of the theme and the background of the times;the rapid development of the film and television industry and the re-emergence of domestic animation;and the psychological needs of the masses.The innovation of Son Goku’s character is also of great value,which not only meets the public’s aesthetic taste and triggers a wave of interpretation of classic works,but benefits the development of domestic animated films as well.

关 键 词：悟空传 大圣归来 性格差异 国产动画 

分 类 号：J954[艺术—电影电视艺术]