中国新诗中的“蛇”意象与存在主义  

The Image of Snake in Modern Chinese Poems and Existentialism

作　　者：陈琳 CHEN Lin(School of Humanities,Kunming University,Kunming 650214,China)

机构地区：[1]昆明学院人文学院,云南昆明650214

出　　处：《太原师范学院学报（社会科学版）》2021年第4期25-31,共7页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：存在主义作为一种哲学的、美学的思想对中国新诗产生了重要影响。其中,新诗中所建构的“蛇”意象与象征主义、唯美主义思潮相应和,其非理性的色彩是存在主义的诗学体现。以克尔凯郭尔、尼采等为代表的存在主义及其对个体生命的关注,与新诗中现代性因素的彰显密切相关。从20世纪20年代徐志摩、徐玉诺的反抗虚无到40年代冯至、郑敏、穆旦的生命诗学,中国新诗中的“蛇”意象绘制了一幅生动的思想图景,深化了存在主义哲学与中国新诗的关联,并且为新诗现代性研究提供了一种可能性。Existentialism exerted a significant influence on modern Chinese poetry in a philosophical and aesthetic way.The snake image in Chinese poems,following the trend of symbolism and aesthetics,represents irrational factors which also constitute the core of existentialism.Kierkegaard and Nietzsche concentrate on individual will and freedom,which is closely related to modernity of Chinese poems.The resistance to Nothingness of Xu Zhimo,Xu Yunuo,and the aesthetic searching of Feng Zhi in 1920s are shown in their poems with snake image.This poetic phenomenon developed into the life poetics of Zhen Ming and Mu Dan in 1940s.The snake image in poems presents development of modern Chinese poetics,which also deepens the relationships between existentialism and Chinese literature and provides access into research of modernity of Chinese poetry.

关 键 词：中国新诗 “蛇”意象 存在主义 象征主义 现代性 

分 类 号：I207.25[文学—中国文学]