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作 者:高慧智 GAO Huizhi(College of Literature,Tianjin Normal University,Tianjin 300387,China)
出 处:《常熟理工学院学报》2021年第6期9-14,共6页Journal of Changshu Institute of Technology
基 金:国家社科基金项目“清代弹词文献整理与研究”(20BZW066)。
摘 要:《珍珠塔》作为弹词史上一部较为有影响力的作品,自清代中后期产生以来,至今活跃在舞台荧屏之上。它是一部印证文人参与代言体弹词创作的作品,在产生的阶段上,正值代言体弹词发展的关键时期,上承叙事体下启代言体,在整个弹词发展史上具有承上启下的重要意义。此外,弹词《珍珠塔》变“才子佳人”题材为“人情、世情”的揭露和表现。寓教化与娱乐为一体,开弹词创作的新局面,不仅影响了后来的弹词创作,也将弹词这种文体的地位正式与诗词曲赋相提并论。《珍珠塔》弹词虽是代言体早期的作品,但无论在代言体弹词的发展史上,还是弹词的发展史上,都具有不可忽略的重要的意义和价值。As a relatively influential work in the history of Tanci,The Pearl Pagoda has been active on the stage and screen since the middle and late Qing Dynasty.It is a proof of the literary participation in the creation of Tanci in the dialogue style.At the stage of its generation,it is in the critical period of the development of Tanci in the dialogue style.It inherits the narrative style from the narrative style to the dialogue style,and has important significance of connecting the preceding and the following in the history of the development of Tanci.In addition,The Pearl Pagoda Tanci changed the theme of"talent and beauty"into"human feelings and the world".The integration of education and entertainment opened a new situation of Tanci creation,which not only influenced the later Tanci creation,but also put Tanci in the same league with poetry,Ci,Qu and Cu.Although The Pearl Pagoda Tanci is an early work of the dialogue style,it has important meaning and value that cannot be ignored in the history of the development of the dialogue style and the development history of Tanci.
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