论齐梁陈乐府诗中采桑女形象的演变  

On the Evolution of the Image of Mulberry-picking Woman in Qi Liang Chen Yuefu Poetry

作　　者：沈云霞 SHEN Yun-xia(School of Language and Literature, Shaanxi Normal University, Xi’an 710119,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《佳木斯大学社会科学学报》2021年第6期106-108,116,共4页Journal of Social Science of Jiamusi University

摘　　要：采桑女最早作为诗歌艺术形象出现在《诗经》中,汉代,采桑女呈现为美德兼备的贞烈形象。至齐梁陈,采桑女形象则呈现出外表柔弱艳丽、有闺中思妇缠绵哀怨的情怀以及风流而多情的特点,这和此时期社会背景和创作观念相关。就文学史意义而言,齐梁陈的采桑女丰富了采桑女图谱,对后世采桑女形象发展产生一定影响。Mulberry-picking woman appeared as the artistic image of poetry in The Book of Poems.To the Han Dynasty,they have been transformed into loyal and steadfast woman.In Qi Liang Chen,the mulberry-picking women showed the appearance of weak and beautiful,a feeling of lovesickness,as well as romantic and amorous image characteristics.It mainly caused by the the social background and creative concepts.In terms of the significance of literary history,this enriched the map of the mulberry-picking women,and have a certain impact on the development of mulberry-picking women.

关 键 词：齐梁陈 乐府诗 采桑女形象 演变 

分 类 号：I207.226[文学—中国文学]