从把关到策展:一项新闻生产的观念史考察  

From Gatekeeping to Curation:A Study on the Ideological History of News Production

作　　者：王敏[1] WANG Min(School of Journalism and Communication,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学新闻传媒学院,重庆400715

出　　处：《编辑之友》2021年第11期86-94,共9页Editorial Friend

基　　金：国家社会科学基金一般项目“新媒介场域下的新闻生产惯习研究”(17BXW025)。

摘　　要：互联网时代,以信息控制为指向、建基于媒体专业权威和公共职能的把关人理论受到挑战和冲击,被认为内涵狭窄、理论张力不足,难以诠释和指导社交媒体时代的传播实践。而以内容管理为指向、倡导多方参与和多元内容流竞争的策展(curation)模式,作为把关模式的替代性理论框架,开始受到越来越多的关注。文章致力于梳理策展作为一种话语实践如何进入新闻业,并与把关人理论发生勾连、交织和迭代的理论脉络,剖析策展对于新闻生产的创新价值,认为策展作为一种去中心化的参与式新闻实践,拓展了新闻生产的边界,推动以媒体为中心的狭义的新闻生产向广义的、社会化的内容策展转型。因此,对于策展的研究,弥补了传统把关研究中把关对象、把关机制的结构性缺失以及将把关视为一个静态现象的理论缺陷,打通原本各自分割的媒介内容生产与传播效果领域,探究基于社交媒体的内容生产常规,推进数字时代新闻生产的理论重构。In the Internet era,the classical gatekeeping theory has been challenged for insufficiency to interpret and guide the communication practices on social media.As an alternative theory,curation which oriented to content management and participant journalism,has attracted more and more attention.This paper traces back to the period history when curation entered journalism,and highlights the relationship between curation and gatekeeping.By analyzing the innovation value of curation,this paper argues that curation expands the boundary of traditional news production to a more general and socialized content curation.Therefore,research on curation could make up some theoretical defects of gatekeeping study in the past,integrate the media production field and communication effect field,as well as explore the content production routine in the context of social media and promote the theoretical reconstruction of news production in the digital age accordingly.

关 键 词：把关 策展 新闻生产 内容管理 参与式新闻 

分 类 号：G210[文化科学—新闻学]