浅谈漳州木偶头的造型与制作技巧  

On the Modeling and Making Skills of Zhangzhou Puppet Head

作　　者：常凯越 徐子惠 汤常鸣[1] CHANG Kaiyue;XU Zihui;TANG Changming(Northeastern University,Shenyang 110819,China)

机构地区：[1]东北大学,辽宁沈阳110819

出　　处：《鞋类工艺与设计》2021年第18期89-91,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：漳州木偶头雕刻早在2006年5月就被评为了非物质文化遗产,历史底蕴丰厚,还有很高的艺术造诣。徐初竹是漳州木偶头雕刻的代表人物,以他为代表的雕刻师都是在岁月的沉淀和经验的积累中不断完善和学习,木偶头的造型设计不仅仅是人类的智慧结晶,更是对于历史文化的一种敬仰之情。因此漳州木偶头雕刻中所蕴含的文化是多种多样的,值得深入的探究。Zhangzhou puppet head carving was rated as an intangible cultural heritage as early as May 2006.It has rich historical heritage and high artistic attainments.Xu Chuzhu is the representative figure of Zhangzhou puppet head carving.The sculptors represented by him are constantly improving and learning through the precipitation of years and the accumulation of experience.The modeling design of puppet head is not only the crystallization of human wisdom,but also a kind of admiration for history and culture.Therefore,the culture contained in Zhangzhou puppet head carving is diverse and worthy of in-depth exploration.

关 键 词：精巧 繁琐 傀儡戏 创新 东方艺术珍品 

分 类 号：J827[艺术—戏剧戏曲]