巴塞尔姆《白雪公主》的叙事策略及其效果  

The Narrative Strategy and Its Effects in Donald Barthelme’s Snow White

作　　者：许晶 Xu Jing(Renmin University of China,Beijing 100086,China)

机构地区：[1]中国人民大学外国语学院,北京100086

出　　处：《河南师范大学学报（哲学社会科学版）》2021年第6期152-156,共5页Journal of Henan Normal University(Philosophy and Social Sciences)

基　　金：中国人民大学重大规划项目(16XNLG01)。

摘　　要：美国消费社会中的人们对“商品”的顶礼膜拜已到了前所未有的高度,传统文学写作在消费社会中日渐式微的困境,促使很多后现代作家进行了新的文学实验,唐纳德·巴塞尔姆的《白雪公主》便是此类典型作品。作品分别从反凝视的身体叙事、反隐喻的碎片叙事及反标签的“降格”叙事三个层面展现了巴塞尔姆独特的叙述风格,给读者带来了“震惊”的阅读体验,而在如此体验的背后,是作家对于消费社会中文学产业化的焦虑和不安。As long as people have worshiped“goods”in the American consumption society than ever before and the traditional literary writings have also been declining,many postmodern writers begin new literary experiments,with Barthelme’s Snow White as a typical work.This work reveals Barthelme’s unique narrative style from three aspects:anti-gaze body narration,anti-metaphor fragmentation narration,and anti-tag“degrading”narration,which“shock”us readers.However,behind all these lie the anxiety and restlessness of the writers facing the literary industrialization in the consumption society.

关 键 词：《白雪公主》 凝视 身体 碎片 降格 焦虑 

分 类 号：I106.4[文学—世界文学]