论威伯恩的十二音序列音乐创作  

On the Creation of Webern′s Twelve-tone Serial Music

作　　者：徐涛 XU Tao(Music Department,Bozhou University,Bozhou Anhui 236800)

机构地区：[1]亳州学院音乐系,安徽亳州236800

出　　处：《巢湖学院学报》2021年第5期99-109,共11页Journal of Chaohu University

基　　金：亳州学院校级质量工程项目(项目编号:2018cksy03)。

摘　　要：威伯恩是十二音序列音乐最具代表性的作曲家之一,也是该技法最忠实的追随者,在其十二音序列音乐创作中,充分体现出个人风格特征。文章运用音乐史学上的一般陈述方法,从宏观角度对二十世纪上半叶十二音序列音乐的形成与发展进行简要概述,同时,对威伯恩十二音序列音乐创作进行回顾,最终通过对其多部作品的分析,从音高、节奏、对位、织体四个方面展开研究,总结其作品中的主要技法特点,探究威伯恩与十二音序列音乐发展之间的密切关系,以期有助于推进威伯恩与十二音序列音乐的研究。Webern was one of the most representative composers of twelve-tone serial music,and was also the most loyal follower of this technique.In his twelve-tone serial music creation,he showed his own style characteristics.By using the general statement method in music history,this paper briefly summarizes the formation and development of twelve-tone serial music in the first half of the 20th century from a macro perspective,and at the same time,reviews Webern′s twelve-tone serial music creation.Then,the paper analyzes many of his works from four aspects of pitch,rhythm,counterpoint and texture,summarizes the main technical features in his works,and explores the close relationship between Webern and the development of twelve-tone serial music.The research aims to promote the study of Webern and twelve-tone serial music.

关 键 词：十二音序列音乐 威伯恩 技法特征 

分 类 号：J614[艺术—音乐]