数字时代的迷影废墟——中国早期网络影评的媒介考古  

Cinephilia Ruins in the Age of Digital Media:Media Archeology of Early Online Film Criticism in China

作　　者：唐宏峰 Tang Hongfeng

机构地区：[1]北京大学艺术学院

出　　处：《电影艺术》2021年第6期66-70,共5页Film Art

摘　　要：在从20世纪90年代末至2010年前后以论坛与博客为代表的中国早期网络影评生态中,一批影评人发挥共享、开放的互联网开源精神,营造了丰盈的迷影文化。这与以微博、微信等自媒体为主的作为内容生产与数字经济的当下网络影评形态有着根本的差异。对早期网络影评进行媒介考古会发现,大部分彼时的媒介物已经成为僵尸媒介、数字废墟,然而,恰恰是在过时与无用之中,常规的使用价值剥落,一种异质性的乌托邦被带入当下与未来。At the early stage of Chinese film criticism on the Internet from the late 1990s to around 2010,which is the forum and blog era,a group of film critics gave play to a sharing open-source spirit of the Internet and created a rich cinephilia culture on the early digital media platforms.This is fundamentally different from the current online film reviews dominated by microblog,WeChat and other"We Media".Media archaeology of early online film reviews will find that most of the media at that time have become zombie media and digital ruins.However,in the midst of obsolescence and uselessness,the conventional use value peels off,and a heterogeneous utopia is brought into the present and future.

关 键 词：网络影评 迷影 媒介考古 僵尸媒介 

分 类 号：J905[艺术—电影电视艺术]