《峰爆》:一场关于牺牲的救援  

Cloudy Mountain:A Rescue about Sacrifice

作　　者：陈奇佳[1] Chen Qijia

机构地区：[1]中国人民大学文学院

出　　处：《电影艺术》2021年第6期97-100,共4页Film Art

摘　　要：《峰爆》把镜头对准了"铁路人"薪火相传的牺牲精神。在影片中,这一精神气节以一对父子的矛盾关系为抓手层层展开,进而将家国情怀寄寓于平凡人物的思想情感与日常实践中。"中国式救援"场景呈现,是其类型叙事的基本形式手段。影片的节奏控制以及富有电影工业美学意涵的场面设计,具有较高艺术水平。但作为新时代类型化的主旋律电影,《峰爆》的制作也存在一些不足,尤其表现在其影像叙事策略较为单薄,"最后一分钟营救"场面有过度使用之嫌。Cloudy Mountain focuses on the spirit of self-sacrificing passed down by the railwaymen for national construction.In the film,this spiritual integrity unfolds mainly through a contradictory father-son relationship,embeds feelings of family and country in the thoughts,feelings and daily practices of ordinary characters.The Chinese-styled rescue scene is the primary form of its narrative.Rhythm control of the film and the scene design rich in aesthetic meaning of the film industry have a high artistic level.However,as a new Chinese mainstream film,the production of Cloudy Mountain also has defects,especially in its insufficient visual narration strategies and the overuse of Griffith's Last-Minute Rescue.

关 键 词：新主流电影 牺牲 铁路人 父子关系 最后一分钟营救 

分 类 号：J905[艺术—电影电视艺术]