“险”的一语双关与“境”的多维创造——与刘智海、宓鑫君谈《云霄之上》的影像实践  

Dual Meaning of“Risk”and Multidimensional Creation of“Atmosphere”:A Discussion with Liu Zhihai and Fu Xinjun On the Practice of Beyond the Skies

作　　者：程樯 Cheng Qiang

机构地区：[1]北京电影学院视听传媒学院

出　　处：《电影艺术》2021年第6期121-125,共5页Film Art

摘　　要：《云霄之上》是主创团队在视听语言实践层面的一场"冒险之旅",对中国工农红军挺进师的历史进行了创新性的艺术表达。电影通过影像的表意创作手段完成了对"意境"的多维创造,实现了对残酷战争的诗意化建构,也因此闪烁着耐人寻味的艺术"灵韵"。《云霄之上》以诗意化的叙述手法细致地勾勒出了战争的孤独感、荒诞感与真实性、残酷性,凭借其独树一帜的影像语言与艺术风格完成了一次中国电影面向世界讲述中国故事的文化使命。Beyond the Skies is an “adventure” of the creative team at the level of audio-visual practice, which rationalizes the artistic expression of the real history of the Chinese workers’ and peasants’ Red Army marching into the division. The film completes the multidimensional creation of “artistic conception” by means of image ideography, realizes the poetic construction of cruel war, and therefore glitters with intriguing artistic “aura”. Beyond the Skies carefully outlines the loneliness, absurdity, authenticity and cruelty of the war with poetic narrative techniques. With its unique film language and artistic style, it has completed a cultural mission of Chinese film telling Chinese stories to the world.

关 键 词：《云霄之上》 刘智海 宓鑫君 影像表意 美学观念 

分 类 号：J905[艺术—电影电视艺术]