戏单、戏像画和剧场:20世纪上半叶日本学人视角下的中国剧  

Theatrical Programmes,Theatrical Paintings and Theatres:Chinese Drama from the Perspective of Japanese Scholars in the First Half of the 20^(th) Century

作　　者：李莉薇[1] 叶明佳 Li Liwei;Ye Mingjia

机构地区：[1]华南师范大学外国语言文化学院,广东广州510631

出　　处：《艺术探索》2021年第5期107-119,共13页Arts Exploration

基　　金：国家社科基金艺术学项目“20世纪京剧在日本的传播与接受研究”(16BB021);广东省特色创新项目“近代日本报人对中国戏曲的译介与传播研究”(2015WTSCX010);岭南当代艺术研究中心资助

摘　　要：戏单与戏像画是近年来备受学界关注的新的梨园文献资料。滨文库所藏日本学者滨一卫于20世纪30年代收集的戏单,以及早稻田大学坪内博士纪念演剧博物馆藏1910—1920年日本画家福地信世旅华期间所绘戏像画,正是来自国外的新的梨园文献。这些新见文献很好地反映了20世纪上半叶日本文人学者对中国剧场与戏剧文化的认识。Theatrical programmes and depictions of theatrical performances are documents that have attracted much attention from academic circles in recent years.The theatrical programmes collected by the Japanese scholar Hama Kazue in the 1930s(now stored in the Hama Kazue Library),and the paintings painted throughout the 1910s and 1920s by Japanese painter Hukuchi Nobuyo during his stay in China(now in the Tsubouchi Memorial Theatre Museum)do all belong to the corpus of overseas documentation on Chinese theatre.These new-found documents convey to us the Chinese theatre and drama culture as perceived by Japanese scholars in the first half of the 20^(th) century.

关 键 词：戏单 戏像画 剧场 日本学人 中国剧 

分 类 号：J809.2[艺术—戏剧戏曲] K25[历史地理—历史学] K313.4[历史地理—中国史]